I think I might have been a little hard on George. Sure, his stereo mixes are awful, but he was also responsible for one of the greatest rock albums of all time… but it’s not the one you think it would be.
Some of the greatest rock and roll ever recorded is posted in that Nuggets thread. But one thing none of those artists managed was to record a great “garage-rock” album. As it turns out, they didn’t even need to bother. The greatest garage-rock album in history was already recorded by the guys who invented garage rock and it was the A Hard Day’s Night soundtrack. Now I’m not talking about the fucked-up version that the greedy hogs at Capitol released here in America. They stripped away a handful of songs and stuck orchestrated instrumentals “from the soundtrack” in their place. That way, Capitol could dump the extra songs on a shitty album they’d compile to get extra money. Too bad Capitol was never in charge of releasing Picasso paintings. They could have cut ‘em all in half and got twice the number of art. The version I’m referring to is the original Brit release that has now become the standard with the big Beatles CD Release in the ‘80s. I think it’s the only Beatles album that’s all Lennon/McCartney songs, since George wasn’t able to sneak one in yet. What’s amazing is how adult it sounds, without losing any well-earned rock’n’roll rowdy points. The song “...And I Love Her” is the best example. The guitar fingerpicking and hand percussion give it a hypnotic, almost Latin feel. This is some deep Pet Sounds stuff and it’s recorded two years before Pet Sounds! I don’t want to knock the musical talents of the Fabs, but these boys are just a couple years down the road from taking speed by the handful and banging hookers when they weren’t performing loud and fast at some of the worst bars in Hamburg, Germany (John got the clap! That’s not a fact that makes it into most Beatles books). They’re not quite to the point where they’re gonna get this sound without a little help from their friend. So, RIP George. You did the impossible; you made rock’n’roll mature without forcing it to grow up.
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